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Sade Unreleased Dance Mixes Rar

четверг 13 сентября admin 25

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Peter Gabriel Big Time (Dance Mix) Biko (Remixed Version) Biko (Twelve Inch Extended Version) Don’t Break This Rhythm GA-GA (I Go Swimming Instrumental) I Have The Touch (85 Remix) In Your Eyes (Special Mix) In Your Eyes (12″ Remix) Jetzt Kommt Die Flut (Here Comes The Flood) Sledgehammer (Extended Mix) Sledgehammer (Dance Mix) Shosholoza Soft Dog My god that’s a lot of Peter Gabriel isn’t it? I better get right into explaining what I got here.

Keep in mind, this is a lot of music, so if I get my details as to how each mix sounds different than the original versions, please forgive me. One man can only memorize so many 12″ singles. The “Big Time” mix is from the 12″ single, and expands on the original by about a minute and a half, most of which comes from an extended opening.

Once you get past that there isn’t that much of a difference between the two versions, although they are mixed slightly different. Doesn’t matter, both are awesome. Both mixes of “Biko” are longer than the album version, which is really saying something considering how long that track is. The “Remixed” version is actually longer than the “Extended” cut, with some added African chants thrown in the end.

A powerful track made more powerful with their addition, in my opinion. “Don’t Break This Rhythm” is a b-side to “Sledgehammer” and a kick ass one at that. I’m surprised it didn’t make it onto So. Not only is it better than some of the tunes on that album, but it could have held its own as a single.

Also from the “Sledgehammer” single is the remix of “I Have The Touch,” a song that originally appeared on Gabriel’s 1982 self-titled album (aka Security). How is a song from 1982 remixed for 1985? If you guessed “more synthesizers and drum machines!” you’d be correct. It’s mostly only really noticeable in the intro though. Now for the really important stuff, the remixes of “In Your Eyes” aka (One Of) The Greatest Love Songs Ever Recorded. The 12″ Remix isn’t that different than the album cut, it’s about 45 seconds longer and most of that goes into extending the breakdowns.

The Special Mix, on the other hand, is a drastic reworking of the song, with a much greater African influence. If you’ve seen Peter Gabriel live before, this version should sound familar. I like it, but Lloyd Dobler was right in using the album version. “Jetzt Kommt Die Flut” is literally a German version of “Here Comes The Flood.” Same song, different language. Gabriel must have had a pretty big following in Germany, as he did this for quite a few of his early albums.