Official website of Aria Guitars Co. Leading in quality and excellence of electric, acoustic, bass, and classical guitars since 1965. Official website of Aria Guitars Co. Leading in quality and excellence of electric, acoustic, bass, and classical guitars since 1965.
It looks like the folks at Aria have been very busy lately! Here are even more new models! I'm noticing a emphasis on build quality - even on the lower priced models - that I haven't seen from Aria since the '80s. By build quality I mostly mean things like using 3 piece necks instead of scarf joints. Just in my experience with Aria basses from the '80s to the '90s, the ones with 3 piece necks were a lot less likely to warp. *Many* of the Integra models I've played with scarf joints had neck issues.
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So I'm glad to see Aria producing models with 3 piece necks again. They also seem to have more maple fretboards than I've ever seen from Aria. Here are some of the new editions!
Several months ago I picked up an '83 padauk red SB-1000 in desperate condition. It had been routed to accommodate P/J pickups and had a warped neck.
Of course it had been gutted of its original pickup and electronics as well. It was unplayable and pretty much a lost cause. But after a while I thought maybe it could be restored to its former glory.
It would be a waste to let an SB-1000 rot away like that. I wouldn't be able to pull it off alone, though, and after contacting several people I finally settled on my old standby at in Seoul to do the work. Because of the horrible routing, a black finish was the only way to go. I decided to make this into another.
I think it came out great! Besides the refinish, it also needed a re-fret, new pickup, and new electronics installed. The electronics are Aria re-issue but the pickup is from another '80s era SB-1000. Here are the before, during, and after pics! The Cliff Burton fans out there should know what the custom serial number on the back of the headstock means! Here is an interesting find thanks to various sleuths at Talkbass.com.
As you can see it 'was the last bass he played' on 9/26/86. This was on display as part of the Metallica Museum which displayed several other Metallica items as well. This, though, has to be the most interesting piece there! It's one of Cliff Burton's Aria Pro II Black n Gold basses but with a pickup modification. The new pickup appears to be a PJ Marx of some kind, perhaps a humbucker. It looks like the PJ Marx is somehow installed on or inside of the original MB pickup. I would think it would be extremely difficult to route the pickup inside the casing of one of those epoxied MB pickups.
If only there was a picture inside the control cavity on this bass. Anybody got any ideas on this mod?
“It all started with the classical guitar”, says Shiro Arai, Chairman and the founder of Aria Guitars. One day, a friend came to visit Shiro’s apartment with a guitar.
Shiro was expecting to hear Koga-type Japanese popular music, but instead his friend started to play a piece by Bach. From this moment, he had been inspired by the sound of this instrument forever. The very next day, Shiro bought his first guitar, costing over two months salary and began to teach himself to play. Now playing day and night, his passion for the guitar brought him to a famous classical guitar master in Nagoya, and soon became one of his students. Shiro started work for a trading company in 1947, aged 17.
In 1953, Shiro and two of his colleagues resigned their positions and founded their own trading firm. After the fledgling company failed after just one year Shiro found himself homeless with nothing but his guitar. In order to live and settle the outstanding debts from this first business he started to teach the guitar. In 1954 unable to buy guitars, music and strings in Japan’s music stores, Shiro started to import classical guitars, Augustine guitar strings, and musical scores for himself and his students. These were the first classical guitars imported into post-war Japan and included instruments from renowned makers Jose Ramirez and Hermann Hauser. Recognising an increasing demand for guitars from friends and players throughout Japan, Shiro grasped the opportunity to start his own business. On August 2nd, 1956, ARAI & CO., INC was founded.
At this time, although demand for classical guitars and accessories were increasing, it was still comparatively low and business was supplemented with other products including woollen material. The name, “ARIA”, which means expressive melody, was first used in 1958 when Arai exported Japanese built classical guitars fitted with steel strings to South East Asia in 1963. Also the letters of his name “ARAI” were just switched around to “ARIA as he recalled. Shiro embarked on a tour of the US with two of the best Japanese KOHNO guitars. At that time Japanese guitars had a poor reputation for developing body cracks and warped necks after being exposed to drier conditions abroad. It was Shiro’s intention to prove how good Japanese guitars were by performing and showing to fellow guitarists, teachers and music shops. After two months these guitars also started to crack.